royal collection
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THE TRIAL OF RICHARD III – PART TWO
“Princes”, “Tudor” propaganda, adultery, AJ Pollard, altered portraits, Anne Sutton, Battle of Bosworth, bigamy, Buckingham rebellion, Charing Cross Hospital, Constable of England, Coronation, David Starkey, Edward of Warwick, Elizabeth Wydeville, executions, George Duke of Clarence, Henry VII, Jean Ross, Lady Eleanor Talbot, letter to York, Middleham Castle, More, Pamela Tudor-Craig, Phillippe de Commynes, portraits, pre-contract, Richard III, Robert Stillington, Rosemary Horrox, royal collection, Sir James Tyrrell, Southern bias, succession, William Lord Hastings, Windsor CastleREBLOGGED FROM A MEDIEVAL POTPOURRI SPARKYPUS.COM The two QCs prepare to do battleFollowing on from my earlier post. The day had dawned – the trial commenced. Because of the length of the trial I only give snippets here which stand out and which I think are the most pertinent/funny/excruciating. The judge addressed the jury as to…
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Herne and his oak tree seem to have been associated with Windsor Castle Great Park for a very long time. The Sun “….Meanwhile, in the grounds of Windsor Great Park, it has been said you can sometimes spot the ghost of Herne, who was a huntsman for Richard III….” Really? Methinks the newspaper is mistaken,…
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Art, Passion and Power: The Story of the Royal Collection
Andrew Graham-Dixon, BBC4, Brighton Pavillion, Charles I, Charles II, da Vinci, dolls’ houses, education, executions, Faberge, George II, George III, George IV, Great Exhibition, Hans Holbein, Henry VIII, Prince Albert, Protectorate, Queen Mary, Restoration, royal collection, Rubens, Shahnama, van Dyck, Victoria, William IIIAndrew Graham-Dixon has been on our screens for almost a quarter of a century; – he is tall, slightly grey, drawls a little and is an excellent art historian. His latest series tells the story of the Royal art collection – from Henry VIII and Holbein, Charles I and van Dyck, the Protectorate selling the…
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Recently I came across a portrait of Henry VIII that I had not seen before–certainly it is one of the lesser known ones. Ar first glance, the painting appears to be of a youth, pudgy-faced and beardless (with some similarities to portraits of Edward IV around the tip of the nose, eyes and mouth)–however, a…
The New Murrey and Blue blog 