Tillyard
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SHAKESPEARE’S RICHARD III: HERO OR VILLAIN?
“Princes”, “Tudor” “sources”, Anthony Sher, Anthony Woodville, bias, Catholicism, Ceaucescu, Coley Cibber, Edmund of Rutland, Edward IV, Elizabeth I, Ferdinando Stanley, fiction, First Folio, George Duke of Clarence, Hamlet, Hannibal Lecter, Henry IV, Henry of Buckingham, Henry V, Henry VI, Henry VII, historical drama, Hitler, Idi Amin, John Manningham, Lady Margaret Clifford, Laurence Olivier, Lord Chamberlain’s Men, Lord Strange, Mao Tse Tung, Margaret d’Anjou, Polonius, Privy Council, Richard Burbage, Richard Duke of York, Richard II, Richard III, Richard of Warwick, Rylance, Saddam Hussain, Shakespeare, Sir Ian McKellen, Sir Richard Ratcliffe, Sir William Stanley, Stalin, tetralogy, Thomas Stanley, Tillyard, tyranny, White Surrey” Never let it be said that fate itself could awe the soul of Richard. Hence babbling dreams, you threaten here in vain; Conscience avaunt, Richard’s himself again” (The tragical history of King Richard the Third)[1] Richard’s himself again: or is he? There is a moment in Olivier’s film of Shakespeare’s play…
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SIR THOMAS MORE , A MAN FOR ALL REASONS: SAINT OR SINNER?
“Perkin”, “Princes”, “The History of King Richard III”, “Tudor” Despotism, “Tudors”, Alan Grant, Anthony Woodville, Archbishop of Canterbury, bigamy, Bishop of Norwich, Carmeliano, Carthusian Monastery, Colet, Domenico Mancini, Dr. Horsey, Edward IV, Edward of Buckingham, Elizabeth Lucy, Elizabeth Wydeville, Erasmus, executions, Fabyan, Geoffrey Chaucer, Greek, Hanseatic League, Henry VII, Henry VIII, heresy, Horace Walpole, humanism, Hunne Case, John Morton, John Rous, Kincaid, King’s Bench, Lady Eleanor Talbot, Lambeth Palace, Latin, law, Lollards, London Charterhouse, Lord Chancellor, Lutheran texts, More, New Inn, Oxford University, Paul Murray Kendall, Peter Ackroyd, Polydore Vergil, pre-contract, Ralph Shaa, Reformation, renaissance, Richard III, Richard Sylvester, saints, Sallust, sanctuary, satire, Sir John Harrington, Stony Stratford, Tey, The Daughter of Time, Thomas Wolsey, Threadneedle Street, Tillyard, Utopia, William Roper‘Not exactly the horse’s mouth’ In Josephine Tey’s spellbinding novel ‘The Daughter of Time’, Detective Inspector Alan Grant has a reputation for being able to spot a villain on sight. Whilst in hospital with a broken leg, Grant is idly flipping through some old postcard portraits to while away the time. He turns over a…