Bruges Chapel of the Holy Blood
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The Last Knight: The Art, Armor, and Ambition of Maximilian I
“Lambert Simnel”, “Perkin”, “Princes”, “The Last Knight”, “Tudor” rebellions, archers, Battle of Guinegate, Bruges Chapel of the Holy Blood, Charles the Bold, Charles V, Durer, Edmund de la Pole, exhibitions, Frederick III, Frederick the Wise, Habsburgs, Holy Roman Empire, James Gairdner, Jorg Helmschmid, jousting, Kingdom of the Romans, Louis XI, Margaret of Burgundy, Mary of Burgundy, masquerades, Maximilian I, Metropolitan Museum of Art, Order of the Garter, Order of the Golden Fleece, Philip the Handsome, Richard III, Tournament Tapestry, Victoria and Albert Museum
Originally posted on RICARDIAN LOONS: Portrait of Maximilian I, from the workshop or a follower of Albrecht Dürer. Holy Roman Emperor Maximilian I (1459-1519) is one of those larger-than-life historical figures. Straddling the medieval and Renaissance eras, he worked tirelessly and spent a vast fortune to establish the Habsburgs as one of Europe’s dominant ruling…
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